Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

you're want to buy Mockingjay (The Final Book of The Hunger Games) [Kindle Edition],yes ..! you comes at the right place. you can get special discount for Mockingjay (The Final Book of The Hunger Games) [Kindle Edition].You can choose to buy a product and Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] at the Best Price Online with Secure Transaction Here...





other Customer Rating:



read more Details

Product Description
Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other of the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for the unrest? Katniss. And what's worse, President Snow has managed to get clear that no person else is safe either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one of the most brought up books of the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended like a trilogy. Did it genuinely end the way you planned it through the beginning?

A: Very much so. While I didnrrrt know every detail, of course, the arc in the story from gladiator game, to revolution, to war, for the eventual outcome remained constant throughout the writing process.

Q: We understand you worked around the initial screenplay for a film to be depending on The Hunger Games. What is the biggest distinction between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. If you are adapting a novel in to a two-hour movie you cannot take everything with you. The story has being condensed to match the new form. Then there's the question of methods best to consider a novel told inside first person and present tense and transform it in a satisfying dramatic experience. In the novel, you never leave Katniss for the second and are privy to any or all of her thoughts so you will need a approach to dramatize her inner world and to produce it feasible for other characters to exist outside of her company. Finally, there's the challenge of how to present the violence while still maintaining a PG-13 rating to ensure that your core audience can view it. A large amount of things are acceptable on the page that may not be over a screen. But how certain moments are depicted will ultimately be in the director's hands.

Q: Are you currently in a position to consider future projects while working on The Hunger Games, or are you immersed inside world you get lucky and be currently creating so fully it is too difficult to think about new ideas?

A: I have a couple of seeds of ideas floating around inside my head but--given a ton of of my focus continues to be on The Hunger Games--it will probably be awhile before one fully emerges and that i can commence to develop it.

Q: The Hunger Games is a yearly televised event in which one boy then one girl from each of the twelve districts is made to participate inside a fight-to-the-death on live TV. Exactly what do you think that the appeal of reality television is--to both kids and adults?

A: Well, they're often setup as games and, like sporting events, there's an desire for seeing who wins. The contestants are often unknown, which ensures they are relatable. Sometimes they've got very talented people performing. Then there is the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I have found very disturbing. There's also the potential for desensitizing the audience, to ensure when they see real tragedy playing out on, say, the news, it does not have the impact it should.

Q: In the big event you were instructed to compete within the Hunger Games, exactly what do you imagine your special skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope will be to acquire hold of a rapier if there was one available. But the truth is I'd probably get about a four in Training.

Q: What can you hope readers will come away with when they read The Hunger Games trilogy?

A: Questions about how precisely elements from the books might be relevant in their own lives. And, when they are disturbing, the things they might do about them.

Q: What were some of one's favorite novels when you had been a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but this time around it is for world control. While it is really a clever twist around the original plot, it means that there's less focus around the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life in to a less vibrant Katniss by showing her despair both at those she feels in charge of killing and and also at her very own motives and choices. This is definitely an older, wiser, sadder, and extremely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels and also the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are very well evidenced in the voice, which goes from rage to puzzlement to a unsure come back to sweetness. McCormick also helps to make the secondary characters—some malevolent, others benevolent, and a whole lot of confused—very real with distinct voices and agendas/concerns. She acts such as an outside chronicler in giving listeners just “the facts” but additionally respects the individuality and unique challenges of each and every of the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.